Bloodlust / Atom Age Vampir

In the late 1950's and 1960's a motley crew of independent film producers pumped up double bills with sinister mayhem and horror. Whether the venue was a run-down movie palace, a musty neighborhood theatre or a drive-in under the stars, kids, teenagers on dates, and outcasts found themselves receptive to the promise of witnessing the unveiling of macabre secrets, nearly forbidden, it seemed, because of the bloody gruesomeness or lascivious sexuality hinted at by the colorful posters and ballyhoo. For the young, horror films were a psychic, if bizarre glimpse into the still-mysterious world of adulthood; for the rest of the audience, these films provided a jolting break fro the predictable and the mundane.

Bloodlust:
An eccentric millionaire living on a remote island takes pleasure in the hunt of humans for his personal trophies.

When four young people become marooned on the island, they unwittingly become his next victims. As they try to flee the island, they are unaware of the horrifying traps and pitfalls that await them.

Trapped in an unbelievable nightmare of "spine tingling and bone chilling" horror, they are stalked and hunted as human prey.

Atom Age Vampire:
A mad scientist using serum taken from dead women restores the beauty to a dancer's disfigured face, but must then kill other women to obtain the miraculous cells that will maintain her beauty.

"More ferocious than Jakyll